The challenge
Crossing a border for treatment is one of the biggest decisions a family makes. You’re asking a hospital in another country to look after someone you love, in a system you don’t know, at the worst possible time.
IHH had a lot to offer that family: second opinions, travel, accommodation, treatment and patient care, and all of it had to fit into one film. Listing it turns the film into an operations manual. Showing the hospitals turns it into a facility tour, which is where most healthcare advertising ends up.
The strategy
The film had to earn trust from an Indonesian audience with no shortage of alternatives across the region. Trust here comes from showing that the brand understands what the family is going through, more than from equipment or accreditations.
That led us to the daughter. When an older parent falls ill, the adult child often becomes the de facto patient. She researches the options. She chases the second opinion. She books the travel and the accommodation. She sits by the bed and walks the corridor. The clinical journey belongs to the patient. The emotional one belongs to the person carrying them through it.
So the film follows a daughter taking her sick father from Indonesia to Malaysia, from the first doubt about a diagnosis, through travel and treatment, to the days in hospital and the slow walk back to health.
Everything IHH does for a cross-border family is in the film. None of it is announced. It appears as the things she runs into along the way.
In motion
The outcome
IHH ran the film as the anchor creative for their Indonesian campaign, across digital, social, agent and referral partner channels, and touchpoints along the patient journey.