Waiting for the sun at Mount Elizabeth

The Creo team films a scene in the sunlit main lobby of Mount Elizabeth Hospital, beside the Mount Elizabeth by IHH Healthcare sign
Filming a scene in the sunlit main lobby
The short answer
Look for real moments and angles nobody has used before, then give the client footage it can keep using. At the newly renovated Mount Elizabeth Hospital in Singapore, we waited 45 minutes for sunlight in the atrium, filmed two long single-take shots and handed IHH all the raw files plus a new version of its corporate video.

18 July, Singapore. A cloudy sky over Orchard Road, and our camera set up on a balcony above the atrium of Mount Elizabeth Hospital, waiting for the sun.

A renovated hospital, shown through people

Mount Elizabeth Hospital has just finished Project Renaissance, a S$350 million, three-year renovation (MedTech Spectrum). IHH asked us to show the new hospital through human moments, in photos and short clips for its future marketing and PR. Our team spent four days in Singapore on the job.

Sunlight comes through tall windows into the renovated upper lounge at Mount Elizabeth Hospital, with a staff member standing by the railing
Sunlight in the renovated upper lounge

45 minutes for one shot

The atrium was the hardest shot of the trip. We wanted real sunlight coming through the glass windows and roof, for bright light, strong shadows and a cinematic mood. The day was cloudy and the sun kept coming and going, so the whole team stayed on standby with the camera ready to roll the moment the light came through. After about 45 minutes, we had the shot. The client told us no photographer or videographer had shown that space this way before.

A cinema camera on a tripod at the balcony rail above the atrium of Mount Elizabeth Hospital, Singapore
On standby above the atrium, waiting for the light

The sun kept coming and going, so the whole team stood by, ready to roll the second the light came through. Forty-five minutes later, we had the shot.

Danny

Two long takes through the hospital

We also filmed two long shots where the camera glides in one take, from the registration counter all the way to the lifts. They’re good to watch, and they show the real space at the same time: how the hospital looks, how it feels to walk through and how people move in it. IHH told us nobody had filmed the hospital like this before, and the shots show off the renovation well.

Raw files and a new corporate video

We handed IHH every raw photo and clip, so its team can keep using the material for future campaigns. We also produced a new version of its corporate video, combining the existing film with our new footage and a new voiceover, so the film now shows the renovated hospital.

If you’d like to see more, there’s another hospital shoot we did for IHH, or a look at what we do.

More from the notebook

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A Creo intern crouches to photograph an afternoon tea table with Sementra chairs on the lawn while another adjusts the props
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